{"id":1093,"date":"2019-05-23T18:19:30","date_gmt":"2019-05-23T16:19:30","guid":{"rendered":"http:\/\/semolinika.anticteatre.com\/cia-semolenika-tomic\/body-safeer\/"},"modified":"2019-05-27T17:04:28","modified_gmt":"2019-05-27T15:04:28","slug":"body-safeer","status":"publish","type":"page","link":"https:\/\/semolinika.anticteatre.com\/en\/cia-semolinika-tomic\/body-safeer\/","title":{"rendered":"Body Safe(er)"},"content":{"rendered":"\t\t\t\t
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\n\t\t\t\t\t\t\tTable Of Contents\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
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  1. Intro<\/a>
  2. Synopsis<\/a>
  3. Technical rider<\/a>
  4. Artistic credits<\/a>
  5. Gallery<\/a>
  6. Press<\/a>
  7. Review<\/a>
  8. Video<\/a><\/ol>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\n\n\n

    Intro<\/h2>\n\n\n\n
    \"\"
    obra: body safe(er) 06.06.02 cia: semolina tomic acrtriu de la foto: semolina tomic foto: david ruano<\/figcaption><\/figure>\n\n\n\n

    Serie FROM BONDAGE TO FREEDOM<\/strong><\/p>\n\n\n\n

    Contemporary Physical Theatre
    \nDuration: 60 min.
    \nPrizewinner at the Theatre Exhibition of Barcelona “MOSTRA DE TEATRE EMERGENT”<\/p>\n\n\n\n

    The idea of the show originated when I returned back to my homeland, Croatia (ex-Yugoslavia), after having been away for ten years. It was this harsh reunion with the reality of my own family, friends and country, after an eight-year international tour with LA FURA DELS BAUS that hatched this theatrical creation of ironic disenchantment. As I was working on the project I began to ask myself whether life really existed in other lands and latitudes, just as I wondered about the absurdity of individual submission. <\/p>\n\n\n\n

    Synopsis<\/h2>\n\n\n\n
    \"\"<\/figure>\n\n\n\n

    Two women are buried in two wooden boxes. One man is looking after them. Why is he so insensible? Why so many planes taking off in this kind of happy sky, in this false sky? An atmosphere of abstraction that has no place in the mind or in the world. At the same time, a hyperrealist performance that takes the audience to the uncomfortable worlds that exist in this planet, habited by those forced and segregated bodies. The multitudes that lie in oblivion reappear from obscure bends\u201a or perhaps it is nothing but us, dreaming in our quotidian prisons. Essential theatre that exploits the anguish caused by the violence and the solitude. Scenic simplicity, strong symbolism, allusions to the conflict between the east and the west, memories of a disappearing world<\/p>\n\n\n\n

    “Hospitals, schools, prisons, kennels\u201a
    Flats, jobs, marriages, dogmas, egos, fears\u201a
    We are locked in even in our dreams\u201a\u2026”<\/p>\n\n\n\n

    Technical rider<\/h2>\n\n\n\n
    \"\"<\/figure>\n\n\n\n

    Stage (minimum measures)
    \nWide: 7 m.
    \nDeep: 5 m.<\/p>\n\n\n\n

    Technically we use our body in it’s immobile state and the visibility of our heads, so we prefer to perform in a space for max. 100 \u201a\u00c4\u00f6\u221a\u00d1\u221a\u00a8 150 people so as to maintain an intimate and direct relation with the audience.
    \nA non conventional space is preferable.<\/p>\n\n\n\n

    Video equipment:<\/p>\n\n\n\n

    1video beamer ( we bring one for subtitles and need one for airplane projection)
    \n 1 VHS player. Audio line to be passed through the mixing desk, with all corresponding cables<\/p>\n\n\n\n

    Sound (adjustable to the venue)
    \nIf the space acustic allows us we preferred to do without microphones. But in the case:<\/p>\n\n\n\n

    Microphones: 2 x lapel clip wireless mics. preferably UHF Diversity\/Shure or Sennheiser
    \nCapsules : MK-E2, MKE40<\/p>\n\n\n\n

    Mixing desk : minimum 8\/10 channels 2 pre-auxiliaries 1 post auxiliary
    \n2 compression channels type OBX166 BSS
    \n1 multi-effects type SPX, REV7, Lexicon
    \n1 cassette desk or mini-disc
    \n4 equalizers (31 bands)
    \n1 Sound technician (can be the same as for the lights)
    \nAll corresponding cables
    \n1 CD player<\/p>\n\n\n\n

    Lighting:<\/p>\n\n\n\n